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Night Watch
Directed by Timur Bekmambetov by Deeky Wentworth
In Moscow, the forces of Light and Darkness have arrived at
an uneasy truce. Geser, Lord of Light, and Zavulon, Lord of Darkness, have
come to an understanding. Their armies are equally matched, and their continued
fighting would only lead to their mutual destruction. In their pact they’ve
chosen to set up a supernatural bureaucracy, of sorts (fitting, if you consider
the locale), where the two side keep an eye on one another, so the balance isn’t
swayed in either direction. Night Watch, those on the side of Light, monitor the
Dark. Day Watch, the Dark side, watches the Light in kind. Others, as the beings on both sides are collectively known,
consist of warlocks, vampires, witches, psychics, et al; supernatural creatures,
not quite human. They feed off our energy. Light Others are benevolent, for the
most part, but the Dark Others, well… you can imagine. Anton, the film’s hero, is an officer of the Night Watch.
He’s a seer with a troubled past, and not the cleanest cop in town. He means
will, no doubt, but his willingness to bend the rules certainly clouds his moral
authority. His current assignment is to find a pair of rogue vampires attempting
to perform an illegal and unlicensed bloodletting on an innocent boy. This
requires Anton to drink blood and hone in on the vampires’ telepathic signals.
If all goes as planned, Anton will follow the boy, live bait that he is, and
arrest the vampires. But things don’t go as planned.
Good vs. Evil Two things happen. First, Anton (Konstantin Khabensky) mistakes a woman on the
subway for a vampire. (It turns out she’s something else entirely; more on her
later.) And second, the sting operation doesn’t go down clean. One of the
vampires escapes and the other ends up dead. Anton is accused of excessive force
for snuffing out a Dark Other without just cause. The Light Others work, appropriately enough, for the city’s
power company. The Dark Others seem to be involved in the music industry. Is it
any surprise that the Russian equivalent of the Spice Girls are Dark agents? The boy, Yegor, the vampires were going to bleed is more than
he seems. And the Dark Others need him. So they enlist the fugitive vampire to
capture him by exploiting her psychic link to him. Anton and his new partner
Olga rush to protect him, but are interrupted by a very serious development. A vortex of pain and misery is descending on Moscow. But it
isn’t the Dark ones who’ve brought it down. No, the woman from the subway, a
young doctor, has been cursed, and like a black hole it is threatening to
implode and take half the city with it. Worse still, the curse portends the
beginning of the final battle between Light and Dark. If the curse can be
broken, maybe the battle can be diverted. Not that fate can be turned. The battle must be fought, and
as prophecy dictates, the outcome will hinge upon the introduction of a new
Other, the Great One. If this other chooses to join the Light, they will
prevail. But if he joins the Dark, that side will be triumphant. Wise men place
their money on the Dark.
Light against Dark Do I need to tell you which side the Great One chooses? Night Watch is firmly planted in its own mythos, and creates
a whole world unto itself. There is much here that goes unexplained, yet the
director is willing to let us fill in the blanks; he assumes we’re smart enough
to follow along without having every little thing explained along the way. He is
wholly confident to set up a story he knows he will not resolve until the
sequel. It takes a fair amount of guts to put together a film that is purely
foundation, counting instead on sheer momentum to draw viewers back to the next
installment. Visually, the film is stunning. It’s everything flashy
American enterprises like Underworld or Van Helsing want to be.
Except this film has a story to it (confounding as it may be), and uses the
flash as a icing on the cake. Sure, the story of Good vs. Evil isn’t new, but
unlike its Western counterparts, this one takes old ideas about vampires and
shapeshifters and puts a fresh spin on them. The question is, will the sequel deliver the goods? The first
installment is a wonderful introduction, a great set up and story, with
interesting characters, and some truly amazing special effects. |
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