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Go to the downloads page to hear James Spader performing the ballad "We Walk The Night" featured so memorably in the film. Or scour eBay for the 45:
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Tuff Turf
Directed by Fritz Kiersch by Deeky Wentworth
Oh, how I love 80s cinema. It’s all joie de vivre
dipped in nihilism, like a Reese’s peanut butter cup of self-absorbed doom. As
if we were just one Duran Duran song away from total nuclear annihilation.
That’s if you didn’t get AIDS first. The best you could do is throw on some
parachute pants and crank up some Thompson Twins and dance the night away. Not that any of this has anything to do with Tuff Turf,
mind you. Sure, the film is dark in its own way, the fashions are steeped in a
lot of day-glo, and there is even a dance number at a new wave club. But the
story itself is as old as dirt. James Spader plays twenty-five year old high school student
and new kid in town Morgan Hiller. Morgan is special; he has not one but two
backstories: First, he was recently expelled from yet another expensive prep
school. He’s a bright kid, but something of a bad seed. Secondly, his father
recently lost his business and has been forced to move the family from
Connecticut to Reseda, California and take a job as a taxi driver to make ends
meet. (I suppose technically that could be considered Morgan’s father’s
backstory, but…)
Frankie goes to high school. Jim Carroll cashes a paycheck. Three things happen on Morgan’s first day at his new school.
1.) He befriends Jimmy, a goofy kid who also happens to play drums for the Jim
Carroll Band. 2.) He runs afoul of Nick and his gang of hooligans. 3.) He falls
for Nick’s girl, a vixen with crimped hair named Frankie. Morgan tries to woo Frankie, first by staring penetratingly
at her as the goons destroy his bike. That doesn’t exactly work, but it does
shake her just a bit. Later, at a Jim Carroll Band show in a warehouse, Morgan
continues his seduction by forcing himself on her during the film’s obligatory
dance sequence. There was a time when every teen romance movie required a dance
sequence. Nowadays teen romance movies require someone to hump a pie. Are we
better or worse off here? Anyway, through some convoluted plot points I’m not going to
bother to explain, Morgan ends up behind the wheel of Nick’s car. When he pulls
up in front the local burger joint, Frankie and her best pal Ronnie (what is up
with all the girls with the mannish names in this anyway?) jump inside, not
knowing Nick isn’t driving. Ronnie immediately begins to make out with Jimmy in
the back seat, making her only slightly more whorish than her friend. But
Frankie, oh, she’s pissed and wants out. Morgan refuses to pull over. So, I
guess first being dry humped at a new wave concert then abducted against your
will is what gets the girls hot back in Connecticut. Unfortunately for us, this doesn’t work on Frankie. But
Morgan has one more trick up his sleeve. I say unfortunately for us because this
leads us to one of those other fads from the 80s: mediocre actors singing
mediocre love songs. But let me take a couple steps back. Morgan knows something
the other kids don’t. Every Friday is Teen Day at your average country club. (As
far as I could tell this was the only reason Morgan had the
used-to-be-a-rich-kid backstory. Now, if I could just figure why his dad
is a cabbie.) He bluffs his way in and they feast on lobster and pâté and mingle
oh so inelegantly with the rich kids. And, as I mentioned, this leads to the
mediocre love song. Morgan sneaks his was up to the piano and serenades Frankie
with a rather crappy tune titled “We Walk The Night.” It’s kind of like “She’s
Like The Wind” but worse, if you can fathom that. Somehow, this works, and Frankie finally accepts an
invitation to Morgan’s for dinner.
“Oh, pretty boy, can't you show me nothing but surrender?” Needless to say, Nick is pissed, and after dinner he abducts
her. Always the victim, she is. They spend the night aimlessly driving around
town, or so it seems. But Nick’s been looking for something, or someone… And
then he finds it: Morgan’s dad! So, that’s why he was a cabbie! Nick
plugs a couple bullets into the old man. So Nick calls Morgan and tells him to meet him at the
warehouse for some sort of final showdown. Or something. I’m not sure what
the idea was, but nonetheless Morgan shows up for some sort of final showdown. Or something. Morgan and Jimmy and some Dobermans (seriously) duke it out with Nick and his
gang. Frankie is rescued, Jimmy is shot in the leg, and well, I don’t know what
happens to the rest of the cast. I’m not sure if dad died or not from his
wounds, or if Nick did either for that matter. The film suddenly jumps to Morgan
and Frankie at a Jack Mack and the Heart Attack concert, so I guess everything
was fine. If only Jack Mack and the Heart Attack really could make
everything better. But hey, I guess we don’t have to worry about the Russians
nuking us anymore, so they must have been doing something right.
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