See also: |
Wanted Dead or Alive
Directed by Gary Sherman by Deeky Wentworth
Nick Randall (Rutger Hauer) is a bounty hunter. He is the great-grandson of
Josh Randall, the character played by Steve McQueen on the TV show Wanted:
Dead or Alive. Rutger Hauer is not as cool as Steve McQueen, especially
since he now looks like Roy Batty with a mullet. In addition to being a bounty hunter Randall is also a former
secret agent. I think he was with the CIA, but it isn’t exactly clear. What I do
know is this group uses Gold’s Gym as a front for its office in L.A. I’m not
sure why they didn’t pick a more low-key location, but strategic planning
doesn’t seem their strong suit anyway. Years ago Randall left the agency, having
grown tired of “walking around with a bull’s-eye on [his] forehead.” Mad Arab™ and Super-Terrorist™ Malak Al Rahim (Gene
Simmons) sneaks into the
U.S. and his first order of business is blowing up a crowded movie theater. A
movie theater showing Rambo, to be precise. I think this is supposed to be some
sort of joke, but I can’t tell how exactly it’s funny. Canned Arab: Two For A Dollar! "Hey, buddy, you got something in
your teeth." The Feds beg Randall to come back for one last job, and blah
blah blah blah blah… Do I even need to bother? Stuff explodes, there are
gunfights and car chases and lots of people die. Anyway, Al Rahim is planning to next blow up a chemical plant,
and thereby
release enough toxic gas to wipe out 50,000 Angelinos. Why is he doing this? Who
knows? The film never bothers to explain his motivations. The fact he’s an Arab
should be reason enough for the audience to know he’s evil. Every Arab in this movie is either a terrorist or
a collaborator. And when they’re not being portrayed as bloodthirsty sadists,
they’re being tortured and killed by the film’s heroes. Almost invariably these
moments are played for laughs. And when Gene Simmons finally gets his head
blown off at the film’s climax, what should be a joyous moment is spoiled by the
racist tone that pervades the 100 minutes preceding it. The only enjoyment I got out of this film was the way the Arabs were constantly passing around big bundles of dynamite. The sheer absurdity of it was comical. I half expected them to be marked with TNT in big letters, and maybe even have ticking alarm clocks attached to them. Arabs in this film are such caricatures it might not have been too surprising. If everything about their portrayal wasn’t so offensive, this film might otherwise be forgettable. Instead it stands as a testament to anti-Arab sentiment that has only grown in this country since this film's release. |
|||||
All material © 2006 - 2008 by El Topo Entertainment |
||||||